Takashi Nomura (1967)
segunda-feira, 26 de dezembro de 2016
Gore Vidal
"Style is knowing who you are, what you want to say, and not giving a damn."
"Although our notions about what constitutes correct
sexual behavior are usually based on religious texts, those texts are
invariably interpreted by the rulers in order to keep control over the ruled.
Any sexual or intellectual or recreational or political activity that might
decrease the amount of coal mined, the number of pyramids built, the quantity
of junk food confected will be proscribed through laws that, in turn, are based
on divine revelations handed down by whatever god or gods happen to be in fashion
at the moment. Religions are manipulated in order to serve those who govern
society and not the other way around. This is a brand-new thought to most
Americans, whether once or twice or never bathed in the Blood of the Lamb."
Sex is Politics (1979)
Sex is Politics (1979)
quinta-feira, 22 de dezembro de 2016
Gavin Bryars
The Sinking of the Titanic (1975)
Rodney Jones
The Assault on the Fields
It was like snow, if snow could blend with air and hover,
making, at first,
A rolling boil, mottling the pine thickets behind the fields,
but then flattening
As it spread above the fenceposts and the whiteface cattle,
an enormous, luminous tablet,
A shimmering, an efflorescence, through which my father
rode on his tractor,
Masked like the Martian or a god to create the cloud where
he kept vanishing;
Though, of course, it was not a cloud or snow, but poison,
dichlorodiphenyltrichloroethane,
The word like a bramble of black locust on the tongue,
and, after a while,
It would fill the entire valley, as, one night in spring,
five years earlier,
A man from Joe Wheeler Electric had touched a switch
and our houses filled with light.
Already some of the music from the radio went with me
when the radio was off.
The bass, the kiss of the snare. Some of the thereness
rubbing off on the hereness.
But home place still meant family. Misfortune was a well
of yellowish sulfur water.
of yellowish sulfur water.
The Flowerses lived next door. Coyd drove a road grader
for the county.
Martha baked, sewed, or cleaned, complaining beautifully
of the dust
Covering her new Formica counters. Martha and Coyd,
Coyd Jr., Linda, and Jenny.
How were they different from us? They owned
a television,
Knew by heart each of the couples on Dick Clark’s
American Bandstand.
At dust Junior, the terrible, would beat on a cracked
and unfrettable Silvertone guitar.
While he pitched from the top of his wayward voice
one of a dozen songs
He’d written for petulant freshman girls. ‘Little Patti,’
‘Matilda,’
‘Sweet Bonnie G.’ What did the white dust have to do
with anything?
For Junior, that year, it was rock’n’roll; if not rock’n’roll,
then abstract expressionism –
One painting comes back. Black frame. Black canvas –
‘I call it Death,’ he would say,
Then stomp out onto the front lawn to shoot his .22 rifle
straight into the sky above his head.
Surely if Joel Shapiro’s installation of barbed wire and
crumbled concrete blocks,
In a side room of the most coveted space in Manhattan,
pays homage
To the most coveted space in Manhattan, then Junior
Flowers’s Death,
Hanging on a wall dingy with soot in North Albama,
is a comment, too.
Are they the same thing? I do not know that they are not
the same thing.
And the white dust, so magical, so poisonous: how does it
differ from snow?
As it thins gradually over many nights, we don’t notice
it; once the golden
Carp have rotted from the surfaces of ponds, there is no
stench to it;
It is more of an absence of things barely apprehended,
of flies, of moths;
Until one day the hawks who patrolled the air over
the chicken coops are gone;
And when a woman, who was a girl then, finds a lump,
what does it have to do
With the green fields and the white dust boiling
and hovering?
When I think of the name Jenny Flowers, it is that
whiteness I think of.
Some bits have fallen to clump against a sheet of tin
roofing
The tornado left folded in the ditch, and the stoops there
to gather
A handful of chalk to mark the grounds for hopscotch.
domingo, 18 de dezembro de 2016
Maus Fígados
Menina stylist e blogger na TV:
É um look super fashion, sexy e cheio de glamour. O fit é esplêndido.
É um look super fashion, sexy e cheio de glamour. O fit é esplêndido.
segunda-feira, 12 de dezembro de 2016
Frank O'Hara
AVE MARIA Mothers of America let your kids go to the movies! get them out of the house so they won't know what you're up to it's true that fresh air is good for the body but what about the soul that grows in darkness, embossed by silvery images and when you grow old as grow old you must they won't hate you they won't criticize you they won't know they'll be in some glamorous country they first saw on a Saturday afternoon or playing hookey they may even be grateful to you for their first sexual experience which only cost you a quarter and didn't upset the peaceful home they will know where candy bars come from and gratuitous bags of popcorn as gratuitous as leaving the movie before it's over with a pleasant stranger whose apartment is in the Heaven on Earth Bldg near the Williamsburg Bridge oh mothers you will have made the little tykes so happy because if nobody does pick them up in the movies they won't know the difference and if somebody does it'll be sheer gravy and they'll have been truly entertained either way instead of hanging around the yard or up in their room hating you prematurely since you won't have done anything horribly mean yet except keeping them from the darker joys it's unforgivable the latter so don't blame me if you won't take this advice and the family breaks up and your children grow old and blind in front of a TV set seeing movies you wouldn't let them see when they were young
[1960]
Ouvido na rua
Duas muito velhinhas que passam:
... não gosto da nova, gostava muito mais da antiga.
ora, está calada, a gente tem de ir com os tempos.
... não gosto da nova, gostava muito mais da antiga.
ora, está calada, a gente tem de ir com os tempos.
quarta-feira, 7 de dezembro de 2016
Antonin Artaud
"Nul n'a jamais écrit ou peint, sculpté, modelé, construit, inventé, que pour sortir en fait de l'enfer."
Van Gogh le Suicidé de la Société (1947)
terça-feira, 6 de dezembro de 2016
Maus Fígados
7.2, 6.4, 7.0, 5.2, 8.6, etc. A crítica musical elevada a pseudo-ciência pela Pitchfork.
sábado, 3 de dezembro de 2016
sexta-feira, 2 de dezembro de 2016
quinta-feira, 1 de dezembro de 2016
Glenn Branca
The Ascension, 1981: obra-prima.
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